THE
HEART-AXIS
MUDRA
MEDITATION
This profound
meditation (which
you can access at the very end of this page) was channeled in preparation
for our workshop in Sedona in mid-July, 1998. Initially, I was
guided to use specific Atlantean tonals (and their corresponding
color combinations) found in Frank Alper's 3-volume series, Exploring Atlantis in
conjunction with each chakra center.
To develop
the workshop coordinators and prepare us for the Sedona workshop,
Melora, St. Germain and some of the members of The Council of 12: "Lady
Masters of Karma" conducted channeling sessions with
us . During one of these sessions, artist Teresa Dunwell channeled
the mudras (or empowered hand positions) that completed
the elements of the Heart-Axis Mudra Meditation.
Thus, the
Heart-Axis Mudra Meditation in its entirety, as we now teach
it, consists of specific Atlantean tonals, mudras, and color
visualization.
Awakened early
one morning by a vision about a month before the Sedona workshop,
Teresa experienced the intricate flow of energies created by
this meditation. This experience was given her by The Council of
12: "Lady Masters of Karma." The results are shown below in an
abbreviated representation of Teresa's poster, which depicts
the movements and qualities of energies created when one does
the Heart-Axis Mudra Meditation. -- Joanna Neff
TERESA
DUNWELL'S POSTER
MELORA
through Joanna Neff (Jyoti Alla-An)
(from a channeling with artist Teresa Dunwell)
We are interested in your consciousness
of these movements of energy which you have synthesized so beautifully
into the art for representation. You know how to be a conduit
for the energies coming from the Great Lady Masters of Karma.
You did this in the vision that you had in which this information
about The Council of 12 came through. You felt them energetically
in your body and were able to transform that, to transmit that,
and to transmute that into this beautiful representation of how
all these energies work together. You do this in all your paintings.
TERESA: is there anything going within there that you would
like to explain?
MELORA: In the poster you mean? Give us a moment. The
double-helix coming down through the crown, the Isis energy,
is also combined energy. It's not just Isis' singular energy.
It is also the energy of the Lady Master Mary, encompassing.
It is also the energies of the others. But Isis is like the channel,
or the "tube," if you will, that contains that energy
so that it may be directed, laser-like. The whole point of the
laser is that it's very condensed energy. In order to do that
it must be a tight beam. Lady Isis provides the energetic structure
for that to be aimed somewhere in a tight beam. You also have
the Athena energies coming in through the crown and the energies
from the other chakras that are supported by the other masters
being focused there too.
Our Jyoti is correct in her discussion before our session
that what you're representing here in these shapes over the body
are Atlantean in orgin. People see them duplicated in Egyptian
ornaments on the body or Egyptian adornments on the body, and
she is correct in the female robes of Egyptian paintings of Nefertiti--the
very gathering symbolized in the movements of these energies,
the adornments around the neck that were so heavy and breastplate-like,
even this diamond shape on the chin that is duplicated in the
power symbol of the Pharoah's beard. It was not the fashion for
pharoahs to wear real, physical beards. They put them on the
masks to show authority. But your symbol there is like the beard
on the Sphinx or the beard on the pharoah. That diamond shape
that you have in gold there is really that connection between
the chakras as you depicted them.
TERESA: I find the gold and the silver really fascinating.
What energies lie within those?
MELORA: We would call the "silver" actually
platinum, which is white gold. So there is white gold
and yellow gold. Yellow gold is warm; white gold is cool in its
resonance, in its vibration. Those are just some of the physical
properties of that. They balance each other in resonance and
vibration.
It is no accident that silver and gold are considered precious
metals--platinum even more precious because what is materialized
first has a vibration or idea that precedes it, as you know.
The materialization of precious metals and precious gemstones
is an actualization of templates of energy, geometric movements
of molecules, and so forth that, when brought into form, take
these shapes and qualities in physicality.
Along with that is the very palest of green, as a very high
vibration of green, moving into the mental connection--mental
not being brain-mental but mental meaning "idea." Again,
we're having the intersection between spirit and matter, and
the intersection of spirit and matter takes place through idea.
You have consciousness. Consciousness is the pivotal point--we're
calling consciousness "consciousness-generating ideas"--creating
ideas. So you have Spirit, in consciousness, creating and
manifesting. That is that relationship there. We think of
green as a heart color as well, as in the old version of the
chakra colors, although, as you know, these colors have switched
out. But in terms of archetypes still encoded in human archetypal
memory is that association of that color with the heart. As the
very yellowy-green is showing how that transformation is taking
from that understanding of that color, that chakra, to a change
in color, or a combination of color that is going to switch out
and transform to a color that cannot be seen.
TERESA: And then the THU-MAR in the 3rd-eye area--that
is a crown. Is that the crown that we wore in Atlantean times?
Is that much like that, as far as that connection?
MELORA: It is more an energetic structure--what we
call morphogenic structure that precedes physical structure.
The morphogenic structure of The Temple of Solomon, for example,
stills exists. The Parthenon's morphogenic structure still exists,
even though the pillars are in ruins. That is why you can feel
the energy when you go there, even though her physical temple
is in ruins. By the same token, there is a light apparatus at
the crown--quite a complex one. We've talked about this before,
about the sort of antennae you have in the etheric crystalline
body. At this point this shape in the etheric crystalline body
enables you to connect not only to your Higher Self but also
to the very Source Creator as your consciousness allows you.
There is a kind of spikey sense of energy there--like lightning
rods--in your chart.
TERESA: And then the lemon yellow in the crown?
MELORA: This is, as you said, the mental color. Again,
this term has been so abused: "Oh, you're so mental."
But the creamy yellow is a spiritually mental color. If it were
just a lemon yellow, then it would be more a mental/egoistic
brain kind of yellow. But the creamy yellow color is the connection
to the Divine Consciousness, and since human beings have a brain
and since so much of your consciousness and what you understand
is interpreted through the physical brain, then that is not something
you can just get rid of, because you think it's in the way. It's
always going to be operating as long as you're truly conscious
in the body.
The emerald green color at the base chakra, as you depict
it (and as Dr. Alper has talked about in his trilogy on Exploring
Atlantis) is associated with the tonal ZAU-RAM. Emerald green
at this point, of course, is not heart. We associate this green
with the healing color and balancing color. Here, at this location,
it balances you, as human beings, in the relationship between
the Earth (your physical home) and the heavens (your spiritual
home). This is the balance point between your existence on the
Earth and your existence in Heaven.
TERESA: So it seems too, that as a balancer, we've
already moved into the higher chakras, or we're moving into the
higher chakras in this process of the green being the base color
rather than the red or orange. In correlation, in number of mythologies
associate green with the heart, but it is that the heart is
in the whole etheric system, rather than what we usually think
of as just the heart. It's become that higher chakra. Is that
right?
MELORA: You left out something. Let us see. Here's
how we will translate what we think you said: The heart is now
the base chakra as you move into Ascension consciousness, but
you're not physically ascended yet. Since you're ascending in
consciousness, the green that was associated with the heart chakra
is now your anchoring, grounding color and is now located at
the base chakra.
TERESA: Why is it that so many modalities have so many
different colors they're using right now?
MELORA: We recently did a reading with a client in which we
were describing the chakras and the way they looked to the ancient
sages. What we said is that the chakras are going to look different
for each person, depending on their consciousness and what their
path is. With, say, Hindu swamis (monks) living in the same ashram,
for example, they do the same practices. They have very stringent
principles and beliefs: "If you follow this in a certain
way, then this is what will happen," and so forth.
Because they were subscribing to identical practices, philosophies
and beliefs, if one seer would clairvoyantly observe something
that looked very much like what another seer observed, then they
would say: "Okay. This is what the chakras look like, and
we will paint them now." That was true for them.
TERESA: And is that still true for them?
MELORA: This depends on whose chakras you're looking
at and where they are in their spiritual evolution. There are
differences according to that. If you have a group of people
who gather together--say soul groups--they already have a similar
resonance because they're related in their soul families. Say,
someone brings in a new program, as you're bringing in here:
The Heart-Axis Mudra Meditation. All the people you will work
with already have a somewhat similar resonance, and so this is
really going to be harmonious with them, but not everyone
will be.
TERESA: So when they view the poster, when they do
the tonals, what this will do is key into their remembering?
MELORA: At the Soul level. As an artist, you're familiar
with the term "montage." We have people who aren't
quite here yet; they're not quite lined up yet, as in
the chevrons on the Stargate in the movie. provided for them.
In doing these exercises they will come into alignment
instead of being "all fuzzy" and not having any way
to come into alignment without these keys being provided for
them. Then they will click into place.
It is a mistake, however, to prescribe one path or process
for everyone. When anyone says, "There is only one way,"
you should turn around and go the other way very fast! This is
why The Keys of Enoch is NOT for everyone. It's not for
our Jyoti. It makes no sense to her. It doesn't resonate with
her. It's simply not her system, and that's okay. This is why
it would be a mistake to say to anyone, "Well, you don't
have this system, so you're just not up on the latest."
We're not creating a religion here; we are bringing together
those with whom this will resonate and that will further them
and lock those chevrons into place so that they can walk through
that Stargate.
(from a later session)
What you're building when you do The Heart-Axis Mudra
Meditation is your communication network that links you directly
to the Great Beings and to The One. Our Jyoti interpreted this
correctly--that this is not synonymous with the merkaba.
"All of these vessels (or 'vehicles', if you will), all
of these orbital structures work in conjunction with each other
in a way that would be very difficult for you to understand or
to visualize. They don't get tangled up in each other. (Our Jyoti
is getting this picture of all these light filaments getting
tangled up like fishing lines, because you've got the merkaba,
and you've got the orbital structure, and you've got your communication
webwork.) But since this is light energy, the trick is to have
it work harmoniously.
This works holographically. Our notion of 'holographic', rather
than the technological notion of hologram, would be that some
form, some substance of some sort or some energy comes into form
expressing sacred geometrical structures energetically. Whether
you can see them or not, those energies form certain structures
for certain purposes. So 'hologram', for us, would mean that
there are certain energetic structures set up, and when you are
in 3-D, your hologram is your everyday life, and the people in
it, the objects in it, and the events in it.
What you create when you do The Heart-Axis Mudra Meditation
is a new structure. Now, certain spiritual adepts have created
structures similar to this, but because of your relationship
to so many others who are of this consciousness, it is somewhat
different. It is much more evolved. It is much more high-tech,
if you will, because it has the supporting energies of others,
as well. It is very much unlimited potential as it affects you
at the Soul level--not at the 3-D level. Although it will definitely
enhance the rest of your sojourn here, it is really designed
for your spiritual evolution beyond 3rd-Dimensional expression.
There is this structure that you set up that our Jyoti called
a 'communication web' (as you do the tonals, The Heart-Axis Mudra
Meditation). As Roberta doused with her dousing rods this morning,
the field extends, in its core energy, about 15 feet out from
the body. This is your intersection with all of the information
coming in. There are literally no time or space barriers. So
the realities, the Akashic records, what is going on with people
you're talking to in 3-D, what is going on with Beings who are
not in 3-D at all--ALL that is possible to you as this communication
web continues to be established and then is finally 'settled'
around you. At some point it will be totally in place and you
will no longer need to do The Heart-Axis Mudra Meditation to
keep putting it in place.
You have 'miracle' experiences when this communication webwork
is set up. Really, the part that is personal to you is the etheric
crystalline body. The energies that you're creating to surround
you give you an extension, or a receptive, communicative, transmitting-receptive
power that you wouldn't have just within your etheric crystalline
body itself. (See Melora's channeling on The
Etheric Crystalline Body and Melora's Sedona Journal
article, "Etheric Body Crystals.")
After practicing this meditation consistently for a time,
you essentially 'channel' all the time. You're no longer setting
up the protocols, the channeling session--no longer setting up
that 'pipeline' or having all the apparati in place. You
are just receiving throughout your entire light structure being
constantly. As you can probably infer, that is a good description
of Ascension of consciousness and as a change in your physical
structure that you call bringing your body to light. As we said,
having the etheric crystalline body come into full formation,
having this communication web set up and finally in place, is
the prelude to your bringing your body to light. It's the next
step."
The Council
of 12 speaks about Teresa's
Heart-Axis
Mudra Poster
"It is of great intention that we proceed to give you
this work. It is time for this next evolution to provide all
with the opportunity to raise their Ascension consciousness.
Each mudra [of the Heart-Axis Mudra Meditation] is a part of
the whole--no one is done unless in context with the others.
We have shown you as we match up to your centers of higher learning.
Each master is responsible for a center in this course of study.
This will fluctuate as vibrations are shifting and increasing
in value. Know that all will work together and with Jyoti's dear
work all will come into great activation.
This chart will give those a mapping visually of what is to
be accomplished in this weekend. It holds the vibration of light
which resonates light codings in the eyes--both optical &
third. Perceptually, shifts in consciousness will begin as new
colors are introduced and played with. These new tonal color
vibrations are key to the new Millennium and, of course, adjustments
will be made accordingly.
Yes, new color vibrations . . . those you [Teresa] have received
in your paintings and higher ones still. Vibrationally you have
no color for such, but these too will be introduced to those
who seek this information and are open to new, lighter experience
of color vibration.
It is for you to do an exercise with color, asking those that
they perceive not with their eyes but with their hearts, asking
Lady Kwan Yin and Athena to guide them, in new understandings
of color relationship. You see, they will begin to see the color
between the color, the negative space is to be honored as much
as the positive that they have always associated with. They will
at first find great difficulty in separation . . . but in reality
they will see the transference of energy between the objects
on a higher plane of existence. This balance will create the
new color--as in your painting 'Perception'. It is what they
see or read (energy) 'between the lines'.
These are the new resonant tones for humanity. In doing this
you will open up the interior plane of existence and expose the
'real' world. The illusion will dissolve away [was shown waviness
occurring, dimensionally shifting--optically], moving into this
non-reality . . . no form . . . only vibration. Color being a
key to unlock the vibration . . . physical sound taking it a
step further (moving from light vibration in color to sound vibration--and
pure colorless color).
Nothing that you have as yet mastered. 'Prestidigitation'.
Magicians, alchemy. Yes. Onto it and not--meaning, yes they were
all on to it--and not. We are sanctioned by the Masters.
Interdimensional travel, opening doorways of experience into
dimensional consciousness. The creativity is important. All life
comes from passion, desire and joy . . . to create from the ethers
what has not taken form. Unique you are. Don't be afraid to express
your God self."
ISIS = Pillar
of Light (spinal column)
PORTIA = 12
strands of DNA
MARY = All-encompassing
LADY NADA
= Solar Plexus/Root Chakra
KWAN YIN
= Thymus/Heart/Throat
ATHENA
= Crown/3rd Eye
ST. GERMAIN = Ears
ARIEL = Higher
Chakras
THE
HEART-AXIS MUDRA MEDITATION
CHART
PHOTOS
OF HEART-AXIS MUDRAS (hand positions)